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Showing posts with label Top 10. Show all posts
Showing posts with label Top 10. Show all posts

Friday, 10 November 2017

10 Disney Darkfics for Horror Fans

(Warning: Disney movies are famous for being family-friendly fun, but these darkfics are NOT suitable for younger or more sensitive audiences. All the darkfics listed here are consistently dark and disturbing, with a few containing scenes that could upset even the most enthusiastic horror fans. If you're into the horror genre, then you shouldn't have a problem with these darkfics, but if you aren't, tread carefully...)

Even though they have become synonymous with overly upbeat and sanitized family entertainment, all Disney films contain plenty of dark elements. These have inspired numerous fanfic authors, who have used Disney films as the basis for darker and edgier fanfics known as darkfics. These take full advantage of the creative freedom provided in the world of fanfiction, emphasising the darker aspects of the source material whilst tackling topics which could never be discussed in a family-friendly animated musical. Many of the best Disney darkfics belong to the horror genre. In order to be considered horror, a work must generate a consistent and pervasive atmosphere of terror and unease, unsettling audiences and playing on their worries and anxieties. Horror stories usually depict vulnerable and defenceless characters having to face seemingly unstoppable monsters who embody and represent widely-held fears, but some works in the horror genre are told from the perspective of these monsters.

This article lists the best horror darkfics based on Disney films, highlighting the fact that even the most optimistic fairy tales can inspire works which are legitimately disturbing and scary. Numerous darkfics were considered for this list, but only 10 could be chosen. Thus, a number of excellent darkfics were not included. Five of the best darkfics omitted from the main countdown are instead listed as Honourable Mentions. The 10 which made the list are inspired by a variety of Disney movies ranging from Snow White to Moana. They represent an array of horror subgenres, featuring zombies, ghosts, serial killers, and other scary elements. However, they are all creative, atmospheric and disturbing, drawing on the influence of Disney's characters and stories in an unusual and twisted way whilst also being excellent works in their own right.

Honourable Mentions


Based On: Snow White and the Seven Dwarves

Based On: Frozen

(Also available on Fanfiction.net)

Based On: Moana

Based On: Sleeping Beauty

Based On: Tangled


The Top 10 Disney Darkfics For Horror Fans


Based On: Snow White and the Seven Dwarves

(Plot: After Snow White's Prince wakes her from the enchanted sleep, he looks forward to enjoying his happily ever after with the beautiful princess. However, there is now something strange about Snow White, and the Prince gradually comes to realise that bringing her back to life had unexpected and disastrous consequences...)

Disney's version of Snow White popularised the notion of 'True Love's Kiss' - the idea that a kiss from a love interest could literally have the power to bring a seemingly dead character back to life. Most criticisms of this concept have centred on the idea that its unrealistic for a kiss from a near-total stranger to have so much power. However, After the Kiss takes a very different approach - what if True Loves Kiss was problematic because it interfered with the natural order of life and death? This unnerving question inspires a unique and creative spin on the zombie genre.

Fairy tales about the perils of waking the dead are not unusual. The Brothers Grimm story The Three Snake Leaves used a similar premise, showing a princess being resurrected by magic and becoming evil. However, After the Kiss is far superior to The Three Snake Leaves, due to the careful set-up. At first, Snow White's inability to sleep and increasingly pale skin are dismissed as minor problems, but as time progresses and her condition gradually worsens, the Prince's growing fear and unease is resoundingly vindicated. The climactic visual of a completely zombified Snow White, with her seven dwarves converted into feral henchmen, is chilling proof that a kiss which seemed to save Snow White has actually destroyed her. Ultimately, After the Kiss provides a creative spin on the zombie genre which teaches us that the magic associated with fairy tales can have awful side effects and needs to be examined carefully...

Based On: The Little Mermaid

(Plot: Eric gets trapped in a parallel world where he is imprisoned and tortured for months by a sadistic alternate version of Ariel. The real Ariel manages to rescue Eric from this world and bring him back to life, but eventually comes to realise just how badly his ordeal has affected him...)

Out of all the darkfics on this list, Ariel's Revenge is the most unpleasant by some distance, containing cannibalism, animal cruelty, sexual abuse and plenty of gore. It certainly succeeds in its purpose of upsetting, disturbing, and disgusting readers. The first half of the story sees Eric become the victim of a creepy siren who looks almost like Ariel, but has suspiciously grey skin and an unsettling voice. She also does things that the real Ariel would never even contemplate, such as abusing Eric in a variety of ways whilst eating his flesh piece by piece. Once the real Ariel arrives, the story shifts to her perspective, showing just how Eric's experiences have destroyed his relationship with her. The graphic violence and the near-total lack of explanation for Eric's plight gives this story an incredibly nightmarish feel, and the fact that we care so much about Ariel and Eric makes it even crueller.

In the comments section accompanying the story, Untherius claims that Ariel's Revenge is a rebellion against "all that cutsie Disney Princess stuff". You could say that about almost all the darkfics mentioned in this article, but with its gruesome violence and unrelenting misery, Ariel's Revenge is an especially vicious response. However, the compelling story, unnerving central monster and consistently unsettling atmosphere elevate Ariel's Revenge above other NSFW "Torture Porn" fanfics and earn it a place on this list. More sensitive readers should stay as far away from Ariel's Revenge as possible, but if you have a strong stomach and a taste for more extreme types of horror, then this harrowing story is worth checking out.

(Also available on Fanfiction.net and Tumblr)

Based On: Frozen 

(Plot: Desperate to escape from her lonely life with her troubled, reclusive sister Elsa, Anna Arendelle gets impulsively married to seemingly perfect widower Hans Westergard. However, life with Hans in his lavish estate isn’t the fairy tale ideal she expected, and Anna soon finds herself becoming increasingly close to his stable hand, Kristoff. But Hans is keeping a dark secret, hidden inside a mysterious locked room, and it could endanger everything Anna holds dear…)

Dark as Snow already appeared on an earlier list on this blog (which showcased the best fairy tale mash-ups), and its a real pleasure to talk about it again. It is one of only two multi-chapter darkfics mentioned in this article (Within These Walls is only an Honourable Mention) and the extra length allows it to develop the characters and build up tension and mystery. The decision to do a version of Angela Carter's iconic short story The Bloody Chamber (probably the best and most popular adaptation of the twisted Perrault fairy tale Bluebeard) featuring the characters from Frozen in the key roles is genuinely inspired, as both tales play on our fears that impulsively getting engaged to a person we don't know might be an incredibly bad idea. Needless to say, Dark as Snow delivers this message in a manner which is far closer to The Bloody Chamber than Frozen. In fact, the version of Hans featured in Dark as Snow - a sadistic, manipulative control freak whose depravity knows no bounds - is probably the scariest and most twisted villain on this list, which is a pretty impressive achievement.

Many of the most terrifying moments in Dark as Snow (such as the scene where Anna enters the locked room and finds out what happened to Hans's previous wife) are adapted pretty closely from The Bloody Chamber. However, Anysia manages to put her own spin on them, and the violence here feels genuinely brutal and unsettling. One of the main reasons for this is her ability at getting inside Anna's head and allowing us to feel everything she feels. As a result, we sympathize with Anna and really feel sorry for her as her fairy tale dream turns out to be the most horrible nightmare imaginable. When she finally fights back in the climax, it is a wonderfully satisfying moment. Dark As Snow is an excellent horror story, but it also succeeds as a romantic drama (Anna's relationship with Kristoff provides some much-needed sweetness and warmth), a psychological thriller, a coming-of-age tale, and a feminist statement about a woman gaining the courage to stand up to the ultimate abusive husband. In short, it's proof that fanfics can be as exciting and enthralling as the works which inspired them...

Based On: Frozen

(Plot: When Elsa accidentally struck Anna in the heart with her magic, it turned her into a cruel tyrant. In order to get her revenge, she makes Elsa into her slave and uses her magic to turn all of the kingdom to ice...)

In Frozen, Elsa is a compelling character because of her ability to control ice and snow, but these powers are incredibly dangerous, and mastering them is no easy task. The idea that Elsa's powers can kill people if she loses control of them has inspired many a darkfic, but Death of Her Heart puts a disturbing new spin on the idea. In this story, Elsa's inability to control her ice powers doesn't kill Anna, but it does something even worse - Anna's heart is not just frozen, it no longer exists, and she has now become a merciless monster with nothing but hatred for Elsa...

Death of Her Heart features some impressively cold winter imagery, and the blank, immobile perfection of the frozen wasteland created by Anna is pretty creepy. However, the primary source of horror is seeing a character like Anna turn into a cruel and sadistic monster. From the beginning, the descriptions and dialogue highlight how Anna has turned truly heartless, with all the "once-glorious life" in the kingdom eradicated for the sake of a pretty visual. The violence is certainly uncomfortable to read about, with Anna chaining Elsa up like a dog and carving snowflakes into her arm, but the scariest thing here is the extent to which Anna is willing to make Elsa suffer for her mistakes. With its grim central concept and an ending entirely devoid of hope, Death of Her Heart is an incredibly bleak read, but the powerful writing and the overwhelming sense of tragedy make it impossible to forget...

Based On: Frozen

(Plot: When they were playing as children, Elsa lost control of her ice powers and accidentally killed Anna. As a result, Anna became a ghost who continues to haunt her older sister...)

As we all know, Frozen begins with Elsa accidentally injuring Anna with her ice powers, causing the rift between the two which defines the movie. Numerous horror darkfics take this opening sequence and use it as the basis for stories which ask the question "What if Anna had died in that accident and returned  to haunt Elsa as a ghost?". Out of the numerous darkfics in this subgenre, Do You Want To Build A Snowman? is probably the best. At under 500 words long, it is the shortest story on this list by a considerable distance, but every single syllable is used to show how creepy and threatening this version of Anna is. The story focuses on Elsa and her efforts to avoid responding to this version of her sister, with the short, simple sentences and effective use of present tense building a sense of dread before Elsa finally snaps. When we finally see Anna and her horde of hideous snowmen (any fanfic which can make us frightened by the phrase "I like warm hugs" deserves praise) it is definitely worth the terrifying build-up. In the horror genre, less is usually more, and Do You Want To Build A Snowman? demonstrates how unsettling a short, simple story can be with just a few creepy images and ideas...

Based On: Snow White and the Seven Dwarves and Tangled

(Plot: Rapunzel is a young woman with healing hair, imprisoned in a tower by a domineering mother. Rapunzel has been hearing stories about how dangerous the forest is, centred on the mysterious princess who inhabits it and seems to have total control over all the plants and animals. However, she soon realises that this princess is an ally rather than a threat...)

Don't Go Into The Woods, My Love is the only darkfic on this list which combines two different Disney films into a single narrative. This is handled pretty effectively - Although Snow White and Rapunzel are kept apart for the majority of the story, it is easy to believe that they can exist in the same universe. Both Snow White and Rapunzel are associated with the mysterious and magical German forests which inspired the Brothers Grimm, and these are portrayed in a wonderfully atmospheric fashion. Afterism succeeds in making us believe that the forest is truly alive, and that Snow White has unusual powers and capabilities far greater than the average princess. There is more than enough dark and twisted imagery for this fanfic to be classified as a horror, including feral dwarves, blood turning into vines, and a floor laid with bones and apple cores, but these all fit this world perfectly, enhancing the distinctive combination of beauty and terror which makes this story so alluring...

Don't Go Into the Woods, My Love perfectly fits the literary subgenre of dark, feminist modern fairy tales pioneered by Angela Carter. This version of Snow White is sinister, mysterious and almost monstrous, but she is also a powerful, independent and compelling character able to destroy foolish princes with ease. A brief scene where she meets a young boy obsessed with being Prince Charming really demonstrates that she is not the helpless victim traditionally associated with both fairy tales and the horror genre. Rapunzel's side of the story could have been developed in a bit more detail (her links to the forest need to be foreshadowed more clearly) but the scene where she stands up to her mother is impressively nasty, and it's easy to buy the fact that she has an irrepressible bond with Snow White, given their incredible powers. Don't Go Into the Woods, My Love is probably the least conventional story on this list, and this is what makes it so appealing. Instead of being about the suffering of helpless protagonists, it is about two assertive women creating their own unconventional world, and anyone who stands in their way can expect to be in plenty of trouble...

Based On: Alice In Wonderland

(Plot: Alice wants to experience a totally nonsense world, but when she ends up in Wonderland, she finds herself out of her depth in a world full of strange and creepy creatures such as the Cheshire Cat and the Queen of Hearts. It is not long before she learns that she has to be careful what she wishes for...)

Alice In Wonderland takes place in a fantasy world defined by its total lack of rules, Although the Lewis Caroll story and the Disney film which it inspired are primarily comedic, there is something pretty terrifying about a world which is impossible to control, and Ephemeral_Everlast is skilled at exploiting this. Inquisitive really emphasises the nightmarish aspects of Wonderland, as Alice finds out the hard way that a world she hoped would be fun and colourful is actually completely hideous.

The changes which turn the familiar tale into an adults-only darkfic are disturbingly subtle. The Cheshire Cat now has fangs, the 'Unbirthday' cake of The Mad Hatter seems to be alive, and the bullying Flowers emit poison. Most importantly, the story emphasises Alice's thoughts and feelings. When seen from her perspective, the Queen of Hearts is a pretty scary character - she's essentially a tyrant who wants to behead a little girl for no reason. The basic storyline is unchanged, but Inquisitive is a far shorter, leaner story - like Alice, it wants to get out of Wonderland as soon as possible. However, the simple descriptions used by Ephemeral_Everlast are evocative and succeed in generating an uneasy and menacing atmosphere. As Alice becomes increasingly confused and scared, we see that a child like her cannot belong in a land devoid of order and reason. Overall, Inquisitive does an effective job of showing how sinister a world as strange and crazy as Wonderland can be.

Based On: Moana

(Plot: Two foolish young warriors enter the underworld of Lalotai in a bid to enjoy the ultimate adventure, but soon find themselves regretting this decision when they come across the monstrous giant crab Tamatoa...)

In Moana, the villainous giant crab Tamatoa is played mostly for comedy, but for many people, coming face to face with a fifty-foot tall, flesh-eating creature is no laughing matter. In Kohuru, the warriors Temana and Rahiti find out the hard way just how scary Tamatoa can be. When two impulsive youths take on a giant monster, we all know that it is not going to be a fair fight, but for viewers who primarily remember Tamatoa for singing 'Shiny' or taking a dig at The Little Mermaid, seeing how nasty he gets in Kohuru is quite a shock. The meeting between Temana and Tamatoa starts with a fast-moving fight, but as Tamatoa asserts control, the bravado of our two protagonists is replaced by uncontrollable fear, as they discover what Tamatoa is truly capable of...

The strongest aspect of this story is the way in which Tamatoa is upgraded from Disney villain to horror movie monster. He retains his hatred of Maui and his belief that humans are little more than tasty snacks, but the humour is almost entirely stripped away - Tamatoa's dialogue is acidic and vicious, as he takes his frustrations out on the two unlucky humans who try to fight him. Temana and Rahiti are also depicted effectively - they are foolish enough to deserve a harsh punishment, but sympathetic enough for their gruesome fates to be genuinely distressing.  Darkfics allow Disney villains to become far more violent and threatening, as the constraints restricting their behaviour in a family film are entirely eliminated. After reading Kohuru (or The Most Dangerous Game, a similar story from the same author) it is going to be a lot harder to regard Tamatoa as merely an eccentric, gold-obsessed nuisance...

Based On: Cinderella, Tangled, Sleeping Beauty, Beauty and the Beast, The Little Mermaid, Aladdin, Snow White and the Seven Dwarves

(Plot: A collection of seven stories about Disney characters whose search for a happy ending instead leads to a world of pain and misery. These include 'The Legend of the East Kingdom', in which Cinderella's deal with the fairy godmother has disastrous side effects, 'Leashed', where Rapunzel proves unable to control the growth of her hair, and 'Egalite', where Belle becomes a victim of the French Revolution...)

Whilst all the other darkfics on this list tell a single story, Seven for a Secret contains SEVEN different tales which all ruthlessly subvert the hopeful and optimistic approach associated with the original Disney films. Instead of bright songs and comedic side characters, we are treated to scenes showing Belle being executed by revolutionaries ("Madame Guillotine had no love for happy endings."), Rapunzel getting permanently trapped by her hair and wasting away in her own filth, Aurora's kingdom being wiped out by plague, and Jasmine getting her right hand cut off. Orphan_account provides us with a selection of protagonists who are sympathetic and engaging, but they ultimately all prove unable to avoid their awful fates, with the vivid and powerful descriptions highlighting the cruelty of the stories.

The extent to which Seven for A Secret can be classified as a horror darkfic is a matter for debate. 'The Legend of the East Kingdom' (which combines Cinderella and Sleepy Hollow), 'Siren Song' (A story from Eric's perspective, where Ariel is reinterpreted as a murderous siren) and 'The Woman in White' (Where Snow White's singing has deadly effects) fit the horror genre perfectly, the other four stories are predominantly miserable rather than scary. However, they are certainly disturbing enough to qualify for this list (a story doesn't have to be horror to be considered horrifying) and the tragedies experienced by the protagonists fuel a variety of mundane fears regarding disease, violence, and the loss of control. The stories in Seven For A Secret are incredibly grim on their own, but when put together, they generate a fanfic so vicious that the it has managed to appear on a number of on-line lists recognising it as one of the nastiest Disney darkfics of all time - a feat which even Ariel's Revenge couldn't manage...

Based On: Sleeping Beauty

(Plot: Once upon a time, Prince Philip failed to save Princess Aurora and her kingdom from a curse placed on them by the wicked Maleficent. Two hundred years later, he returns to Aurora's decaying kingdom in a bid to make amends, only to find out the hard way that it is not as devoid of life as he expected...)

In most retellings of Sleeping Beauty, it's not just the titular princess who is put into an eternal slumber, but the whole of her kingdom. In The Glass Princess, this concept is developed to disturbing effect. When Prince Phillip (not named in this version) arrives at the derelict kingdom, he finds out that all the humans and animals present when the curse struck have been reduced to skeletons. JessicaJ even highlights the odious stench of the bodies, extending the oppressive atmosphere beyond the visuals. An equally creepy sight is Aurora herself, now turned into the titular glass princess, eerily pale and "as close to nothing as she can possibly be". These visuals show just how destructive the curse has been, and allow the story to resoundingly distance itself from lighter versions of Sleeping Beauty...

The Glass Princess centres on a protagonist who is already dead inside, but Phillip's complete guilt at failing to save Aurora and the kingdom gives the story a sense of direction which allows the grisly visuals to have a greater impact. The conclusion is a grim little sting in the tale, but it fits perfectly - the only way for Phillip to bring life to The Glass Princess is by paying the ultimate penalty for his initial cowardice. The Glass Princess is a gloomy and intense experience, but the excellent descriptions and creative ideas make it a compelling and rewarding read. 

Sunday, 2 July 2017

Combining Fairy Tales: Top 10 Universes, Crossovers and Mash-Ups

We are all familiar with a wide range of fairy tales, and their numerous retellings. However, sticking to just one of these stories can be a bit limiting in a world where people are always looking for something new. One quick way of providing the unique product which audiences want is by making a story combining two or more familiar tales in a new way, and many talented authors do this in order to make their contributions to the fairy tale genre stand out. The resulting stories can be referred to as 'combination tales', and there are more than enough examples of 'combination tales' for them to be considered as a full subgenre. There are three ways of combining numerous fairy tales and fairy tale characters into a single story: Universes, Crossovers and Mash-ups.

Universes – The simplest way of combining fairy tales is by placing all the characters we know in a single world. This environment is generally modern in nature, designed to contrast with the rural traditions of fairy tales. The main source of appeal in these universes comes from seeing familiar characters react to the pressures of an unfamiliar world.

Crossovers – Similar to Universes, but with a few differences. These tend to focus on combining a select number of stories instead of depicting an entire world, and they are set in a more conventional fairy tale environment in which woods and witches lurk around every corner.

Mash-Ups - In the world of music, Mash-Ups feature the lyrics of one song being laid over the music of another. The 'combination tales' listed here do something similar, often putting well-known characters from one tale into another story.

There are numerous examples of stories in all three categories. As in any subgenre, 'combination tales' range from brilliant to terrible. However, this article will showcase only the ten best of these. These prove that different fairy tales can be combined into a single story which is unique, creative and fascinating in its own right. This list includes comic books, novels, plays, films, TV series and even a couple of fanfics, but the diverse range of works highlighted represent the very best examples of this subgenre.

Universes


  • ·         Fables
(Plot: Thousands of years ago, characters from our favourite children’s stories were forced to flee their homelands when a creature called The Adversary invaded them. They now live in modern-day New York, forming a community called Fabletown. One of the most important citizens there is Snow White, the assistant of Fabletown’s mayor King Cole. In addition to protecting her fellow “fables” and hiding them from the “mundys” (ordinary humans), she has an eventful personal life, including a romance with Bigby Wolf - a sheriff keeping his lupine and homicidal instincts in check - and a strained relationship with her troublemaking sister Rose Red.)

Vertigo Comics have been behind comic books such as Preacher and The Sandman (the latter created by the legendary Neil Gaiman), and the stylish and edgy approach of these cult favourites is applied to the world of children’s stories in Fables. Created by Bill Willingham with the aid of various illustrators, the first issue of Fables was published in 2002, with new issues being published monthly until the series concluded on issue #150 in 2015. Fables started with a relatively mundane murder mystery story which introduced us to our main characters and their world, then gradually expanded in scope until the final issues, which depict Snow White and Rose Red preparing for the battle which will lead to the destruction of Fabletown. In between, our protagonists face numerous conflicts and adventures, and a wide variety of characters get smaller, self-contained stories.

Like other Vertigo Comics properties, Fables is something of an acquired taste, with plenty of gore, sex and swearing. However, there is enough charm and creativity to prevent things from becoming too unpleasant, and plenty of great characters for us to care about. Snow White is a fascinating protagonist, who is tough and intelligent, but she struggles to deal with the traumatic events which have defined her past, and repair her relationship with Rose Red. Meanwhile, Bigby is a moody antihero whose love for Snow White and desire to protect Fabletown make up for his numerous objectionable traits. Apart from the protagonists, the most memorable supporting characters include a womanising Prince Charming who has slept with every "Fable" princess he has ever met, and the likeable Frog Prince, Flycatcher, AKA Prince Ambrose. Due to its large and memorable cast and distinctive tone, Fables has become one of the most successful series created by Vertigo Comics, spawning numerous spin-off comics, graphic novels and even a video game during its long run.

  • ·       Once Upon A Time
(Plot: On the night of her 28th birthday, cynical bounty hunter/ bail bondswoman Emma Swan is visited by a child called Henry, who reveals that he’s the son she gave up for adoption a decade ago. Emma takes Henry back to his hometown of Storybrooke, but Henry tells her that the inhabitants of Storybrooke are actually fairy tale characters, transported there after the Evil Queen placed a curse upon Snow White. Although Henry and his mysterious adoptive mother Regina are initially the only two people aware of this, the rest of the residents, including mysterious pawnbroker Mr Gold and warm-hearted teacher Mary, soon begin to recall their pasts in the fairy tale world. Across subsequent series, the inhabitants of Storybrooke get involved in various adventures involving new dark forces and several curses and mysteries…)

Given that they have created some of the most iconic fairy tale films of all time, it is no surprise that Disney have been behind several works in which characters from multiple fairy tales interact in a single world. Their TV movie Descendants featured the children of famous Disney heroes and villains attending school together, but their most successful attempt at combining the fairy tale characters we love into a single universe is Once Upon a Time, which has aired for six seasons on the Disney-owned channel ABC, with the first of these airing in 2011. The series was created by Adam Horowitz and Edward Kitsis, who previously helped write the hit TV series Lost. Like Lost, Once Upon A Time features elaborate storylines and character arcs which can be confusing to the uninitiated, but it has developed a large and passionate fanbase who are drawn to the universe it depicts and its messages about the value of love, family and happy endings.

The most notable aspect of Once Upon a Time is the large cast of memorable characters, who often prove far more complex to be than the archetypal fairytale characters they are based on. The most prominent of these are Emma, a tough everywoman whose experiences in Storybrooke inspire her to fight for the inhabitants of the town, and Regina, who starts out as a conventional vampish villain, but soon evolves into a more sympathetic figure. The residents of Storybrooke have also met a wide variety of characters from famous stories ranging from Frozen to Dr. Jekyll and Mr. Hyde. Across its run, Once Upon a Time has been nominated for a total of 91 awards, winning 9 of these, including Best Fantasy/Sci-Fi at the 2016 Teen Choice Awards. A seventh series will start airing in the autumn, but this will be a “soft reboot”, centred on the now grown-up Henry. It will retain some of the core characters, such as Regina and Hook, but others such as Emma and Snow White are no longer part of the main cast.

  • ·       Shrek
(Plot: Shrek is a giant green ogre who prefers to live as far away from others as possible. However, his swamp gets invaded by fairy tale characters (including the fast-talking Donkey) evicted from their kingdom by the tyrannical Lord Farquaad. In a bid to get his swamp back, Shrek makes a deal with Farquaad – he and Donkey will rescue Princess Fiona, a sassy princess imprisoned in a tower due to a mysterious curse, and bring her to Farquaad to be his bride. Shrek manages to complete the first part of his task and free Fiona, but things get complicated when they begin to develop feelings for each other...)

None of the projects on this list has had as much impact as Shrek, which revolutionised the animated genre in 2001. At the time, Disney’s films had become too formulaic and had lost a lot of their signature charm, so when rival animation studio Dreamworks (owned by former Disney head Jeffrey Katzenberg) released Shrek, its irreverent humour meant it represented a breath of fresh air. Shrek was adapted from a 1990 picture book written and illustrated by William Steig, but screenwriters expanded the 32-page story to feature-length by creating a more elaborate plot, with fairy tale characters such as Pinocchio, The Big Bad Wolf, and The Gingerbread Man playing a key role. The inclusion of these familiar figures enhanced the movie’s parody of established fairy tale conventions, and there were numerous jokes at the expense of Disney. However, for all the crude and subversive aspects of Shrek, the CGI animation was incredibly advanced for the time, and the film had an excellent message about the importance of inner beauty.

Due to its ability at combining edgy humour with an appealing, family-friendly story, Shrek proved a major hit, winning the first ever Academy Award for Best Animated Film. In 2004, it was followed by Shrek 2, which added a Zorro-inspired take on Puss in Boots and a villainous Fairy Godmother to the universe, and introduced viewers to Far Far Away Land, a fairytale kingdom with more than a passing resemblance to modern-day Hollywood. It proved to be every bit as popular as the original, making over $919 million worldwide and becoming the highest-grossing animated film to date. The two subsequent sequels (released in 2007 and 2010) failed to match up to the high standard set by these two movies, but Shrek remains popular today, and Dreamworks have been spending the last few years developing a revival of the franchise.

  • ·         The Lunar Chronicles
(Plot: Cinder is a cyborg* in the polluted, plague-ravaged futuristic city of New Beijing. Scarlett is an impulsive teenager from France whose grandmother has just gone missing. Cress is a computer expert who has been imprisoned on a satellite since childhood. Winter is a rebellious princess whose facial scars do not conceal her inner beauty. These heroines will have to team up to take on the tyrannical Queen Levana of the planet Luna, who plans to take over the earth.)

(*for those too addicted to fairy tales to understand technical terminology, this means she’s half-human, half-robot)

Most of the fairy-tale “universe” stories mentioned here feature fairytale characters in the modern world or (in the case of Shrek) a fairy tale world that has more in common with the present than the past. However, The Lunar Chronicles goes even further, setting its retellings of fairy tales such as Cinderella, Little Red Riding Hood and Rapunzel in the far future. The Lunar Chronicles franchise consists of five novels (as well as several shorter stories and a couple of graphic novels) written by Marissa Meyer. The first three novels in The Lunar Chronicles (Cinder, Scarlet and Cress) introduce us to our misfit protagonists, the fourth (Fairest) is told from the perspective of the villainous Queen Levana, and the series climaxes with an epic finale, the 827-page Winter.

A former fanfiction writer, Meyer understands her teenage audience very well. Although The Lunar Chronicles uses the same basic ‘teens vs. tyrants’ storyline of major YA (Young Adult) literary franchises such as The Hunger Games and Divergent, it also has the epic storytelling and memorable characters needed to stand out in a crowded genre. Cinder, Scarlet and Cress are relatable protagonists, with enough quirks and flaws to feel realistic and well-developed. The combination of fairy tale characters and sci-fi tropes is also effective. Whilst the two genres seem totally different, they both rely on building atmosphere and appealing to our fascination with the unknown. This means that, in spite of the frequent use of technical terminology and the complex relationships at the centre of her work, Meyer manages to maintain the of the underlying mystique and charm of the classic stories which inspired her. Overall, The Lunar Chronicles is an entertaining series which highlights the enduring appeal of the fairy tale protagonists who feature in it.


Crossovers


  • ·         A Tale Dark and Grimm
(Plot: Hansel and Gretel are reimagined as the children of a monarch, who cuts off their heads in order to bring his faithful servant back to life. Hansel and Gretel quickly get resurrected, but their experience (understandably) causes them to run away and look for parents who won’t kill them. However, in the world of fairy tales, such perfect parents turn out to be incredibly hard to find, and Hansel and Gretel end up battling witches, dragons, curses and even the devil himself…)

It is difficult to dislike a story which begins with the line “Once upon a time, fairy tales were AWESOME!”, and this novel by Adam Gidwitz succeeds in demonstrating that fairy tales are not as sweet and innocent as many moral guardians want us to believe. A Tale Dark and Grimm has often been compared to Lemony Snicket’s much-loved A Series of Unfortunate Events, as it revels in the notion that it may be too dark and gory for sensitive readers, featuring numerous warnings advising the faint of heart to stop reading. Much is made of the fact that A Tale Dark and Grimm preserves the bloody content of the classic Brothers Grimm stories, but it also maintains the simplistic, earthy and unpretentious tone which makes them so appealing.

A Tale Dark and Grimm weaves together several Brothers Grimm stories in which children are treated in ways which would make modern audiences uncomfortable. Almost everyone knows about Hansel and Gretel, but only fans of the Brothers Grimm are familiar with tales like Faithful Johannes, The Seven Ravens and Brother and Sister. The common theme of “children in peril” which unites these stories allows them to be combined into a single engaging and effective narrative, as our two protagonists end up stuck in a variety of dangerous situations and realise that they have to grow up quickly in order to survive. The darkness of the fairy tales used is balanced out by the comedic narration and a narrative with the excellent message that children are more intelligent and self-sufficient than adults give them credit for. Unsurprisingly, A Tale Dark and Grimm has been a huge hit with older children since it was first published in 2010, and it even managed to appear on the New York Times’ prestigious Bestsellers list. Adam Gidwitz has since written two follow-up stories (In A Glass Grimmly and A Grimm Conclusion) which have stuck with the winning formula, featuring various child protagonists navigating their way through fairytales both familiar and obscure.

  • ·         Into the Woods
(Plot: A baker and his wife learn that their inability to have a child is the result of a curse placed on them by a witch. In order to break this curse, the duo have to bring her a cow as white as milk, a cape as red as blood, hair as yellow as corn, and a slipper as pure as gold. Their quest leads them to Little Red Riding Hood, (who encounters a wolf on her journey to find her grandmother) Jack (who wishes to regain the cow he sold for five magic beans), Rapunzel (seeking to leave her tower and explore the outside world) and Cinderella (who wishes to attend the King's Festival and escape her cruel stepmother and stepsisters). Initially, all these characters are able to obtain the happy endings they seek. However, their impulsive actions eventually lead to disaster, as the Baker’s marriage starts to fall apart, Rapunzel proves unable to cope with the outside world, and a rampaging giant seeks revenge on Jack…)

Stephen Sondheim is one of the most iconic songwriters in the musical theatre genre, renowned for his clever lyrics, intricate melodies, and his ability at creating compelling musicals about dark and unconventional subjects. Sondheim’s talents are in full display in Into the Woods, which premiered on Broadway in 1987. James Lapine, (who previously collaborated with Sondheim on Sunday in the Park With George) wrote the script, but Sondheim is the person most responsible for making Into the Woods such an iconic musical. The 14-minute prologue to Into the Woods, which introduces us to the characters and their wishes and kick-starts the plot, highlights just how talented Sondheim is, as he creates a distinctively mysterious world and memorable characters using complex musical techniques, amusing wordplay and even a bit of rapping. Other notable songs from Into the Woods include “Hello Little Girl” (The Big Bad Wolf’s enjoyably creepy attempt to seduce Little Red Riding Hood), the moving “No-One Is Alone” and the closing number “Children Will Listen”. This impressive music is used to soundtrack a creative and intelligent deconstruction of the fairy tale genre.

The most notable feature of Into the Woods is its inspired use of the Two-Act structure which defines modern theatre. The First Act blends faithful retellings of four classic fairy tales, which preserve their darker and gorier aspects (Cinderella’s story is based on the Brothers Grimm version, rather than the softer and simpler Charles Perrault version which inspires most adaptations), with the adventures of the baker and his wife, two ordinary people who end up having a significant influence on the familiar characters. The First Act ends happily, with the dreams of the protagonists coming true, but in the Second act, these dreams turn into nightmares. Today, in an era when fairy tales are expected to be dark and edgy, many of the twists which shocked those expecting more a conventional fairy tale narrative (protagonists get killed by the giant, Cinderella and Rapunzel’s Prince Charming’s both turn out to be shallow philanderers) no longer feel so subversive. That said, Into the Woods will always remain a great musical, due to the brilliant songs, the fascinating characters and, most importantly of all, the timeless and valuable messages about the impact of fairy tales on our children and the consequences of pursuing your dream without considering the long-term effects this could have. There have been several major productions of Into the Woods over the last 30 years, and in 2014, it was even adapted into a film featuring an all-star cast which included Meryl Streep, James Corden, Johnny Depp and Chris Pine.

  • ·         Kissing the Witch
(Plot: This collection features thirteen stories, which put unique twists on European fairy tales ranging from Cinderella and Donkeyskin to The Snow Queen and The Little Mermaid. These include a story about Cinderella realising that she cares more about her fairy godmother than any prince, and one which explains why the Evil Queen wanted to kill Snow White. However, these tales are connected far more closely than they initially appear to be…)

Emma Donoghue is best known for her 2010 novel Room, which was recently-adapted into an Oscar-winning film, but she has also provided a number of short story collections, of which Kissing the Witch is the most notable. Kissing the Witch sounds like yet another collection of revisionist takes on fairy tales, but whereas most works in this crowded genre consist of an anthology of standalone stories, Donoghue combines her tale into a single chain of interlinked narratives. Each story ends with the protagonist asking a question about another central character, and that character then tells them their own tale. Donoghue described this device as “a simple ploy” to make the stories “more marketable”, but it allows Kissing the Witch to stand out (it also allows the anthology to qualify for this list). This structure also pays tribute to the role of women’s folklore in shaping the fairy tale genre.

Kissing the Witch starts with its unusual spin on Cinderella, with establishes some of the major themes of the collection. In addition to showing Cinderella rejecting her Prince in favour of the beautiful Fairy Godmother, it focuses on her doubts and insecurities, with her earlier servitude forced upon her by negative voices in her head rather than a wicked stepmother. After this, we learn about how the fairy godmother had to deal with her own inner demons, and a sense of inadequacy which made her feel as small as Thumbelina. The chain of fairy tales continues from here, going from Rapunzel to The Snow Queen to Hansel and Gretel, before finishing with an original story about a witch who, in spite of her reputation has no magical powers”. The transitions are usually highly effective, giving increased depth to the characters and the world which they inhabit, and the ease with which a secondary character from one story becomes the protagonist in the next proves that the wide range of women in fairy tales have more in common than most casual readers would think. Kissing the Witch uses its unconventional structure to update fairy tales for more feminist times whilst also highlighting their origins as oral narratives and old-wives tales.


Mash-Ups


  • ·         Dark as Snow
(Combines Frozen and The Bloody Chamber)

(Read Dark as Snow here. It can also be read on ArchiveOfOurOwn and Tumblr)

(Plot: Desperate to escape from her lonely life with her troubled, reclusive sister Elsa, Anna Arendelle gets impulsively married to seemingly perfect widower Hans Westergard. However, life with Hans in his lavish estate isn’t the fairy tale ideal she expected, and Anna soon finds herself becoming increasingly close to his stable hand, Kristoff. But Hans is keeping a dark secret, hidden inside a mysterious locked room, and it could endanger everything Anna holds dear…)

In theory, the idea of combining Frozen, Disney’s most successful movie, with The Bloody Chamber, Angela Carter’s adults-only take on Bluebeard, sounds ludicrous. However, this fanfic, from the author Anysia, blends the two into one atmospheric and enthralling story. Essentially, Dark as Snow is a straightforward retelling of The Bloody Chamber with characters from Frozen in the lead roles. Anna becomes the protagonist, whilst the villainous Hans takes on the role of The Bloody Chamber’s sinister Marquis. Kristoff and Elsa are also central characters, with Anna’s relationship with Kristoff providing some much-needed sweetness to contrast with the dark and grim tone of the rest of the tale. Dark as Snow includes many of the most memorable elements from Carter’s story (the red ruby necklace, the bed surrounded by mirrors, the book full of sexually sadistic pornography), whilst also sneaking in a number of references to Frozen. If you are familiar with The Bloody Chamber, the allusions to that story are a real treat, but even if you aren’t, this is still a great work on its own terms.

The writing is excellent, with vivid and evocative descriptions that really add to the atmosphere and thus increase tension. Anysia is also great at getting inside Anna’s head, and really makes us care about her and hope that she gets a happy ending. Dark as Snow is definitely not suitable for children, and it is often genuinely scary. Hans is upgraded from the scheming nuisance of Frozen into a truly terrifying monster, and this fanfic contains a number of disturbing scenes where he inflicts acts of physical and sexual violence upon Anna. However, adult readers who can endure moments like these should definitely check this story out. With its memorable, well-developed characters, powerful descriptions and an excellent feminist message, Dark as Snow is proof that a fanfic can be every bit as impressive as a more professional work of fiction.

  • ·        The Coachman Rat
(Combines Cinderella and The Pied Piper of Hamelin)

(Read The Coachman Rat here)

(Plot: A rat seeking to explore the human world is accidentally transformed into a human coachman as part of a spell from a fairy godmother which turns scullery maid Amadea into a beautiful princess so that she can attend the Royal Ball. After Amadea’s eventful night at the ball, Robert turns back into a rat, but maintains his ability to speak. However, his gifts soon attract the attention of unscrupulous revolutionary Devlin, who exploits Robert’s power of speech in order to carry out a bloody coup. After Amadea is killed, the fairy turns Robert back into a human, enabling him to plot revenge on Devlin and his supporters.)

Even when competing against stories like Into The Woods and Dark As Snow, The Coachman Rat is the darkest 'combination tale' mentioned in this article by some distance. Written in 1989 by English author David Henry Wilson, it takes one of the most iconic stories of wish-fulfilment in fiction and ruthlessly shatters the upbeat ideals which it represents. The idea of telling the story of Cinderella from the perspective of an animal sidekick seems rather whimsical, but this incarnation of the tale takes place in a world of plague, superstition and witch-burnings. Initially, Robert’s quest to become human permanently has some amusing aspects, but then Amadea and her prince get gruesomely executed. Once Robert is made human again, The Coachman Rat reveals itself as a variation on the Pied Piper of Hamelin, as he gains the ability to summon and control an army of rats using a recorder. Robert uses this power to strike back against the kingdom which wronged him, but soon finds himself alienated from both humankind and his fellow rats.

It goes without saying that Robert is the most important character here, as his initial fascination at the power and influence of humans is replaced by disgust and hatred when he realises what they are truly capable of. Robert’s first-person narration conveys his loss of innocence effectively, as he recalls a variety of awful events with the cold, matter-of-fact detachment of a protagonist whose quest to learn and discover has ended in total tragedy. If you like your fairy tales to be escapist and optimistic, then The Coachman Rat is definitely not for you. However, its bold approach and hard-hitting messages allow it to stand out, providing a harsh reminder that the innocence embodied by fairy tales cannot survive the cruelty and violence of the real world.

  • ·        The Tangled Princess Bride
(Combines Tangled and The Princess Bride)

(Read The Tangled Princess Bride here)

(Plot: With their parents both away on royal business, the task of looking after Zachary and Rose falls to their grandfather, the King of Corona. Deciding to read them a bedtime story, the King chooses a tale called The Princess Bride from an anthology series called the Nineteen 80’s. This story is about the relationship between Rapunzel, a girl with magical hair, and the stable hand Eugene Fitzherbert, who get involved in an incredible adventure involving fencing, revenge, chases, escapes, true love, miracles and all sorts of exciting stuff. Soon, Zachary and Rose begin to notice parallels between the protagonists of The Princess Bride and their parents…)

Based on the novel by screenwriter William Goldman, The Princess Bride is one of the best-loved fairy-tale films of all time, with its wonderfully quotable dialogue (including iconic lines such as “As you wish” and “Inconceivable!”), memorable characters and playful sense of humour. Its blend of comedy, fantasy and adventure has inspired numerous fairy-tale films, such as Disney’s 2010 hit Tangled. This story highlights how much Tangled was influenced by The Princess Bride by inserting Rapunzel, Eugene and all their friends and enemies into Goldman’s story, leading to a gloriously chaotic and enjoyable adventure.

Rapunzel and Eugene fit perfectly into the shoes of Buttercup and Westley, and their eternal love for each other gives the story heart to accompany the comedy. Like the two films which inspired it, The Tangled Princess Bride takes great pleasure in celebrating the familiar fantasy tropes whilst pointing out how ridiculous they can be, leading to plenty of silliness and tonnes of anachronistic humour. Highlights include an unusual wedding ceremony presided over by a highly inebriated priest, a wonderfully over-the-top climactic battle involving dozens of famous Disney characters, and an interlude where the King of Corona gets the wrong page and accidentally reads the children an extract from a story called Tangled Die Hard